Jailbreak
Even if the construction of the tunnel drowns out the performances, the conflict of the personalities of the break leaders is engaging. The reticent León Vargas (Benjamín Vicuña), who has not yet come into terms with his family’s death due to the dictatorship, masterminds the tunnel mechanics; the outspoken Rafael Jiménez (Roberto Farías) retains the role of the operation’s pace setter in the irrefutable sense.
The female supporters the attorney of the prisoners (Amparo Noguera) and Jiménez’s wife and his contact with the outside world (Francisca Gavilán) help rest the impressions of a predominantly male film.
Great as it is, Jailbreak suffers from portions of clumsy, didactic dialogue that seek to provide contextualization of people, events and ideologies in history where the events take place; apart from the fact of the prison conditions and the extreme capital punishment that six out of them were to receive, we look for the political context within the walls of the jail and do not find it much. Still, it is a good engaging film especially for a feature film debut and moves between a private drama and a public enthusiasm.
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