Saar the Conclusion

Saar-the-Conclusion

Kavyanjali Films, Mishika Films and Action Voice Studio’s Saar: The Conclusion (UA) released last week in Delhi and Bombay. It is a story about the bonding between a father and son. This family drama shows how a child’s growing up phase can shape his thoughts and behaviour throughout his life.

Kamleshwar’s story is weak to say the least. Kamleshwar and Sanjay Kumar have barely managed to keep viewers hooked with their screenplay as most of the conflict revolves around stating the obvious. In addition to this, there are no high points in the screenplay; it progresses flatly throughout. Dialogues written by them are insipid.

The hero lacks looks! Kapil Sharma’s acting skills are far from satisfactory. Monika Choudhary is average while Rupali Pallavi does an okay job. Kamleshwar disappoints. Priyanshi Soman does fine but nothing exceptional either way should be expected of her performance here; she doesn’t get much scope for acting anyway since her character has few shades or layers required for complex portrayal on screen.

Shubham Gupta gives routine support; Abhishek Gupta passes muster whereas Vikas Sharma appears ordinary amongst such talent pool assembled together at one place like this Ritu Choudhary however just about manages passably enough though Pakhi Singh seems so-so too. Kailash Khandelwal provides dull support systemically speaking overall across all films released till date during current year thus far … Manoj Chauhan needs improvement Yashan Singh Nishika Singh Vibhu Kashyap fit bill reasonably well considering limited resources available within given time frame allotted towards preparation phase prior shooting commencement itself etc.

Danish Ali’s direction leaves much to be desired indeed some would even say that Mahesh Hiremath’s music along with Ashok Choudhary’s lyrics fails miserably on both these fronts combined together; background score composition by Mahesh Hiremath also falls flatly short of expectations created due its association being made public pre-release itself. Mohsin Khan Pathan’s camerawork is not up to the mark either way so let alone being above par as expected from such technician worth his salt should have been able to deliver better results during this particular project undertaken by him professionally speaking overall across all films released till date during current year thus far. Sachin Kumar’s production designing lacks creativity while Sujit Kanojia’s editing leaves a lot be desired.

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