Harry Potter and the Sorcerer’s Stone (2001)

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Harry Potter and the Sorcerer’s Stone (2001)

When you’re the chosen one, like the boy wizard Harry Potter, expectations surrounding your arrival can be quite high. The same can be said for the film adaptation about said boy wizard, Harry Potter and the Sorcerer’s Stone. And while the young wonder might not let his magic school chums down, the movie chronicling his early wizard years could use a little lift.

Which isn’t to say that Sorcerer’s Stone, the first Harry Potter movie based on J.K. Rowling’s inexplicably successful book series, is a boring movie. In fact, Rowling’s exceptional world, involving young magic makers at a British wizardry prep school, transfers to the screen with a general creativity and charm in the hands of director Chris Columbus. The author’s Cinderella esque tale of a boy who gets invited to the most magical ball of them all, kicks off with a classic sensibility, almost like a modern Dickens.

From there, getting to the celebrated Hogwarts School is a treat, as Harry (Daniel Radcliffe) and the rest of the incoming first-years (including Rupert Grint as Ron Weasley and Emma Watson as Hermione Granger) buy the proper wizard tools, find the elusive Track 9 3/4 at the train station, and travel in boats by moonlight to the gothic center of higher learning. Columbus weaves the special effects so smoothly into the narrative as to make the magic nearly matter of fact.

But after we get the general gist of life at Hogwarts, Sorcerer’s Stone loses some of its sheen. The collection of characters to which we’re introduced early Maggie Smith as Professor McGonagall, Alan Rickman as the eerie Professor Snape; the delightful Robbie Coltrane as Rubeus Hagrid aren’t utilized well enough to provide the necessary oomph. They’re stuck within Steve Kloves’ (Wonder Boys) light, thin plot, with their roles eventually reduced to side characters, comic relief, or vague red herrings.

And the flatness of the narrative goes hand in hand with some of Sorcerer’s Stone look as well. Save for a couple of sequences, Columbus just doesn’t provide enough visual wow for such magical subject matter. I know that some of the action is meant to be dark, but the overall look of the movie doesn’t have the punch that the on-screen activity demands. In the end, there are too many missed opportunities for maximum thrills.

A prime exception is the truly wonderful centerpiece of the film, a prep school Quidditch match. For the uninitiated, Quidditch is a soccer style game played completely in mid air, with players on broomsticks. Picture a combination of The Wizard of Oz and Rollerball.

Columbus’ take on this game is superb. There’s speedy action, seamless effects, and some thrilling excitement. The design of the match provides a wonderful combination of visual styles, with mid-20th century prep school clothes amidst medieval set design. The scene is, by far, the highlight of the film, much as the pod race was in Star Wars: Episode I – The Phantom Menace (oddly enough, another somewhat disappointing movie about a chosen boy).

But once we get back to the tale of our trio of little wizards, the plodding plot returns. And unfortunately, Radcliffe, as our hero, doesn’t seem too enthused by much of the wild goings-on. His school cronies, on the other hand, are just great Grint, as Ronald, is wide-eyed and sympathetic, and Watson, as the precocious Hermione, is smart and energetic, taking a bigger bite out of this movie than any other actor.

While Harry Potter and the Sorcerer’s Stone does score points by giving visuals to some wildly fantastic stuff, the total picture lacks polish, and feels like a mild setup to future movies. Similar to X-Men, we get an environment being introduced just for the sake of future movies. That creates anticipation among fans, but shortchanges those watching this one.

The release of Harry Potter and the Sorcerer’s Stone coincides with another Harry Potter milestone the beginning of production on Harry Potter and the Chamber of Secrets, scheduled to hit theaters in mid-November, 2002. Stone is already expected to break box office records, including a possible run at Titanic (highly unlikely, if you ask me). That means there’s one thing Warner Brothers will be saying about young Harry for the foreseeable future long live The Boy Who Lived.

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