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Speak No Evil (2024)

Speak No Evil In today’s context, “Speak No Evil” is a throw to the times of “The Hand that Rocks the Cradle”, “Unlawful Entry,” and “Fatal Attraction”. It represents the discontinuation of family dominated thrillers of urban heyday crafted in the 80s and 90s where good and bad were general social constructs, which culminated in

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Here After (2024)

Here After Connie Britton strives to inject some honesty and emotion into the monotonous and clichéd Here After, but this effort is quite limited. This is US horror film, directed by Robert Salerno, who has produced other films such as, 21 Grams, A Single Man and I’m Thinking of Ending Things. The movie features several

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Uglies (2024)

Uglies There is little debate as to what genre ruled the young adult landscape of the early 2010’s. “The Hunger Games” war fans in 2012 before the likes of “Divergent”, “The Giver”, “Maze Runner” launched in 2014. Almost all of the above dystopian node YA novel adaptations were wreaking havoc in theaters with massive fandom

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The 4:30 Movie (2024)

The 4:30 Movie As a coming of age romance, “The 4:30 Movie” is a lightweight that does not budge a bit from Smith’s striking approach. Writer-director Kevin Smith, best known for “Clerks III” and “Jay and Silent Reboot,” seems to be taking baby steps forward by offering nostalgia and toying with the concept of “Clerks

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The Critic (2024)

The Critic Once in London, an actress sat next to me at a wedding reception. Interspersed with the theatrical tones cheapened during her time at RADA, she was able to use effective projection to reach the back rows of the audience. “You do understand,” she seemed to deliver this line straight out of a Coward

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