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American Fiction (2023)

American Fiction Promotion and consumption of antiracist readings was reignited by the summer of 2020. It was a year where people felt that it was “especially important” to read the work of Black authors, specifically those that talk about Black suffering. In “American Fiction” (based on Percival Everett’s novel Erasure), director Cord Jefferson takes apart […]

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One Life (2023)

One Life You may have seen the viral video. He’s an old British man called Nicholas Winton sitting in the front row of a TV studio watching “That’s Life.” The presenter tells the viewers that 40 years earlier, just before World War II broke out and while the Nazis were overrunning Czechoslovakia, he saved hundreds

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Past Lives (2023)

Past Lives When do you know a relationship is real? A shared glance that lingers a little too long, when you can’t stop talking to each other, when you do something together that feels more special than usual or when domesticity has set in and you’re lying next to your partner discussing dinner plans? In

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Tuesday (2024)

Tuesday In “Tuesday,” actress Julia Louis Dreyfus brings the character of a mother who has lost her child to life with an incredible amount of vulnerability. The film is different from others like it in that it doesn’t have any background music or overdone drama. Daina Oniunas Pusic, the writer and director, uses strange metaphors

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Ricky Stanicky (2024)

Ricky Stanicky Before permanently adolescent men movies about comedy were taken over by Judd Apatow, Peter Farrelly was there. With his brother Bobby, his movies could be sweetly funny like “Dumb and Dumber” or “There’s Something About Mary” (or in the case of his solo outing in “Movie 43,” a notorious trainwreck). Since then he’s

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Fair Play (2023)

Fair Play Netflix recently released their high finance romantic thriller, “Fair Play“. With this in mind, it is clear that director Chloe Domont took an interesting approach to the film. Instead of focusing on the relationship between two hedge fund analysts themselves (played brilliantly by Alden Ehrenreich and Phoebe Dynevor), she chose to highlight their

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Lee (2023)

Lee Elizabeth “Lee” Miller (Kate Winslet), a former American model who became a photographer meets her future husband Roland Penrose (Alexander Skarsgård) through her intellectual friends. She grew argumentative right from the start. In just a few sentences, Lee breaks down his attempts at appearing less bourgeoise than he is. Roland responds with an equal

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