Considered by The Guardian the best romantic film ever. Brief Encounter (1945) is one of director David Lean’s many masterpieces. The film tells the story of two married people. Doctor ( Trevor Howard ) and a housewife ( Celia Johnson ), meet several times at the Brighton station bar and get along. They fall in love and would continue the relationship. If circumstances and a sense of duty didn’t persuade them to end the relationship.
Romantic, not cheesy, indeed realistic, and very current in addressing a theme. In an era that certainly did not face certain taboos: extramarital affairs. And it does so, in addition to a film noir setting, with the music of the composer. Rachmaninov the splendid photography of Krasker, a modern narrative structure (the innovative choice to start from the ending. And then tell the story through a flashback). And above all the simply perfect performance by Celia Johnson and Trevor Howard. Sweetly shy, “not young and not beautiful” as they were described in the stage original. Grand Prix at the first Cannes Film Festival in 1946. This unmissable film for lovers of romantic stories and cinema in general.
Roman Holiday (1953) is a fairy tale told in black and white in the magical Rome of the 1950s. Princess Anna ( Audrey Hepburn ), fleeing the exhausting protocol, will meet chance the journalist Joe Bradley (Gregory Peck), initially unaware of the girl’s true identity. A day spent together in the eternal city will be enough for the two protagonists to build a special bond. Vacanze Romane will transport you for two hours into an iconic “modern” fairy tale. In which a princess and her prince charming travel. Through the streets of the capital on a Vespa, a modern carriage, a true icon of those years.
The famous scene of the escape on a Vespa between the Colosseum and Piazza Venezia, but also the joke at the Bocca della Verità, is now part of our cinematic imagination. Anna’s naivety and enthusiasm for the normality and everyday life of the bustling capital will make the same impression on the viewer as they did on Joe. The initial curiosity and tenderness felt towards the princess will turn into something more, something that will fill the heart with sweet joy. A film to see, timeless for incurable romantics.
Breakfast at Tiffany’s
Breakfast at Tiffany’s (1961) is one of the most romantic films ever. Between comedy and drama, it is also one of the most famous in the history of cinema. Directed by Blake Edwards and starring an iconic Audrey Hepburn, the film tells of the love between Holly Golightly (Hepburn), an apparently sophisticated girl from high society, and Paul Varjak (George Peppard), a writer who lives in the same Holly’s mansion. However, the story between the two is disturbed by the turbulent life of the girl, whose sentimental affairs made up of gangsters and ex-husbands inevitably involve Paul.
How can we forget Audrey Hepburn singing “Moon River” on the windowsill? Or of her walking around in a little black dress and sunglasses and admiring the Tiffany window? Or the beautiful kiss in the rain between Paul and Holly, where her cat also appears between the two? In short, Breakfast at Tiffany ‘s is a timeless classic and also a romantic film to be seen absolutely.
Les Parapluies de Cherbourg
The film, entirely sung, shows its qualities above all based on the excellent balance of the composition. The choice of colors, the freshness of the musical motifs, and the lyricism with which the director is able to transfigure everyday characters and events. No spoken dialogue, only sung, for the film directed by Jacques Demy and winner of the Palme d’Or at the Cannes Film Festival.
A simple, tender, and melancholy realistic tale developed in three parts. The love story between Geneviève (a young and already wonderful Catherine Deneuve), daughter of a widowed umbrella seller in financial trouble (Anne Verdon), and Guy (the most surprising interpretation by Nino Castelnuovo), a mechanic who grew up with an old aunt, soon interrupted because he goes to the army in Algeria (The departure); she discovers she is pregnant and in the end marries a diamond specialist chosen by her mother. While always thinking of her beloved in the army (The Absence); five years later, they meet again. The film has admittedly inspired Damien Chazelle in making La La Land.
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